Bertram Brooker: When We Awake! examines the career of Bertram Brooker (1888–1955), the first Canadian artist to exhibit abstract paintings, in 1927. Curated by Michael Parke-Taylor, the exhibition is the first comprehensive presentation of Brooker’s oeuvre in almost half a century, gathering his diverse work in painting, drawing, and sculpture and highlighting his activities as one of the country’s leading art critics and journalists. 

Ghosts of Canoe Lake: New Work by Marcel Dzama celebrates a new body of work inspired by the artist’s interest in Tom Thomson and the Group of Seven, recalling as well his childhood spent in the landscape of Manitoba and Saskatchewan.

Highlighting an important recent gift from Salah Bachir and Jacob Yerex, this exhibition pairs the work of the late Montreal artist Betty Goodwin (1923–2008) with contemporary artist David Altmejd (b. 1974).

In the late 19th century, the Impressionist movement found a footing in Canada, and Quebec artists quickly responded with works of rare beauty and sophistication. Many Quebec artists trained in France during this period, carrying the pollen of European modernism back with them to Canadian soil.

Jackson’s Wars: A.Y. Jackson before the Group of Seven is a rare examination of the work of painter Alexander Young (A.Y.) Jackson (1882–1974) in the decade before the Group of Seven’s formation in 1920.

Presenting a selection of works by Anishinaabe/French artist Caroline Monnet, this exhibition centres on a recent series of sculptures that explore language reclamation and intergenerational transmission through an engagement with the idea of land as a carrier of ancestral memory.