Wasteland Watcher

A red sky, a dark sun, a scorched earth. The scent of dirt, of mud long since dried, cracked and dusty underneath. The soft rustle of the wind through the grass, the groan of trees bending in the gusts. The stems of plants hiding footsteps once tread through soft earth. These are the trails and paths she walks.

Perched upon a fallen tree, split in half by lightning during a storm long ago, she surveys the area. It has been so long since these lands have seen rain. Still life perserveres, somehow. She marvels at it. Plantlife still survives in this wasteland. The earth will survive this, she thinks to herself as she alights from the tree. It is her job to patrol. It is her job to watch. No one gave her this task, but still she finds herself compelled to do it. She hasn’t seen another soul, sentient as herself, for many months now. One must give themselves structure to survive monotony.

Things changed so quickly, but it was surprising how easily it came to her. She donned the mask, the gloves, the coverings to protect herself from the toxic air, the poisonous breath of the infected. She forgot social normalcies, forgot sociable manners, forgot everything about being “human.” She became the watcher.

That is all she does now. Watches. Watches for others only to better avoid them. It’s been so long but she is still alert. Her anxious ticks still tick, her heart still beats fast when she sees a shape on the horizon, and her breath still catches when she hears a twig break under footsteps, as she does now.

She hops back up onto her perch on the broken tree. Surveys. Listens. Watches.

There.

The split tree sits in the middle of a vast open plain, tilled earth never sowed, grasses taking over, emptiness lined with trees freshly green with spring. The wood is not dense; it is easy to see into it. There she sees a shape. Something vaguely humanoid. She knows that she is seen as well.

There is a stand-off. The two survey each other from far away. She is sure it is not a threat.
There is a silent pact that has been reached. No one knows who has the virus, so everyone acts as if they do. This is the only way to be sure. She has encountered many other beings, and they all have stopped, stared, and moved on.

Not this one.

The shape suddenly breaks into a run, a full-on sprint, over the field towards her. She almost falls off of the tree in surprise and shock. Barely catching herself, she leaps off the tree and flees towards the opposite end of the field, her breath loud in her ears under the mask.

She is a fast runner, feeling as though she is flying across the grass. Her skirts rustle and catch on the occasional thorn, but she has traversed this terrain many times. It is no hassle to her. But she hears breaths behind her, footsteps. This one is not nearly as graceful as she, tripping and flailing about in the furrows left by hopeful farmers. It is a desperate, clumsy pursuit. She knows she is probaby safe from this one, but just to be sure, when she reaches the edge of the field, she alights into the nearest climbable tree and climbs to the highest point. She looks down.

It is there.

It is not something she has seen before.

It is a shadow, a monster, something else entirely from anything she knows. It has no eyes, only darkness for a face, but she knows it is looking at her. Hungrily.

This is not someone with the virus, at least, not in the usual sense that she knows. Something must have happened. This is a new product of the virus, a new creature born of shadow and darkness and mistrust and pain, a mutation of the soul wrought by despair. Isolation and breaks in quarantine bore many new things into the world, but she had seen nothing of this. A new threat. A new being entirely. Before her eyes, it dissipates into nothing, wind in the air, a shadow lost in the overcast. She looks up. More strange happenings.

Clouds have moved into the sky without her noticing. The sky is clouded and grey, and quickly growing darker. The wind has picked up. She sees the flash of lightning in the distance, followed by the rumbling of thunder that she feels deep in her heart. It has been months since she has seen, or felt, rain.

She knows not what to make of this new monster, of this new threat, but she needs to feel the rain. She needs to. It is so dangerous, she knows, but reason sometimes leaves the mind when the spiritual soul needs to be fulfilled. Sometimes one is compelled to do things without explanation simply because of an innate need.

As the first drop falls she flies down from the tree, making her way slowly to the split one in the middle of the field. By the time she reaches it she is soaked through, and scrabbles up to perch once more under the clouds, the dark sun barely peeking through the thickness of the sky.

She looks up. The drops fall thick and heavy onto the glass goggles of her mask. She puts her gloved hand to her cheek. It has been so long since she has felt her own skin. She feels tears upon her face. She cannot wipe them away, and so lets them fall. The rain through her clothes is enough. She welcomes whatever comes next.

Lightning strikes more frequently now, all around her. She cares not for it. She stands under the storm, arms open, welcoming in an event she has not witnessed in so long. How her body yearned for it, for the moisture, for the cleansing fall of rain onto the earth. The smell of rain on sun-baked dirt fills her nostrils, even through the filter, and she relishes it. The smallest resemblence of “before” sends her into a trance-like reverie, and she nearly doesn’t realize the shadows have formed around her, until it is almost too late.

But she does, because she has been doing this a while.

However foolish it may have been, she doesn’t regret it.

One so easily forgets the joy of a storm.

But she is a rider of lightning.

She is a caller of wind, and she calls it now, to lift her up and away from the shadow creatures. They snarl and snap underneath her, forming one giant shadow, a coagulating, writhing mass of darkness, and her heart beats fast. But she has seen much and hardly anything truly surprises her now. She looks upon them almost academically, another threat to factor in as she watches and wanders the wasteland. One must be careful but calculated about these things.

Many things have happened. Many things will continue to happen. Most things she cannot control, and so she just exists through it. She cannot end it all, she cannot find the cure, she can only do what she can, and avoid everything until it’s over. There are no heroes here. One can only watch. One can only wait. One must stay vigilant.

Thankfully, she is very good at all of these things.

The storm passes as quickly as it came, and the sky is red once more, the dark sun beating its strange rays down upon the earth, so hot and dry that any trace of moisture is soon sucked from the air. The shadow creatures swarming about the tree dissipate in the sun’s rays. She breathes in the staleness, the new normal.

But what a joy the smallest bit of rain brought her, if only for a moment, and at the risk of her life, which, to be fair, is a rare thing to value in this time of decay and disease. But value it she does, so she does not give in this day.

Best to find a new valley to call a temporary home, though, probably. These shadow creatures are a new concern, but they can’t be everywhere, she thinks.

Looking a smidge longingly at the great perch of a tree, she turns her back on the valley and begins making her way through the valley, in a different direction this time. Somewhere new. To watch. To wait. To see what happens.

When the only thing certain is uncertainty, all you can do is keep going.

New Camera, New Laptop, New Life, Who Dis?

After many many many years I have finally updated my over 10-years-old laptop and am writing this now from a super shiny new laptop that no one’s ever touched. This is a luxury I never thought I could afford but it has happened, I invested in it, and I am honestly so happy right now, so dang it, it gets a blog post.

I have redone my entire living room/workspace, and everything feels conducive to a creative environment. Sure, it’s almost 2am on a Thursday morning and I’ve had a couple of drinks so my perspective is enlightened, but hey, I’ll take what I can get during this pandemic.

We’ve been quarantined 43 days now and I’ve settled into a weird sort of normalcy. We’ll talk more about that too probably as the days go by and I have so much time to write, or rather, so much time that it’d be stupid not to write.

But for now, here’s some pictures I took on a test run with my new (to me) camera the other day with some fun editing thrown in for good measure.

Signing off,
Sophiea

Sophie’s Movie Roundup:: January 2020

Total movies watched: 17

ATTACK THE BLOCK (2011)
“This is the worst night of my life.”
“The feeling’s mutual.”

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A rambunctious, surprisingly gory and heartfelt romp. A bunch of British gang kids fight a bunch of aliens with baseball bats and fireworks to lots of techno and rap music. What’s not to love?

Recommended? YES

FANTASTIC MR. FOX (2009)
“I know what it’s like to be different.”
“I’m not different, am I?”
“We all are. Especially him. But there’s something kind of fantastic about that, isn’t there?”

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I am a sucker for anything Wes Anderson, and he never disappoints with aesthetics, always telling a charming but cute story. Will always recommend his movies.

Recommended? YES

ISLE OF DOGS (2018)
“Who are we? And who do we want to be?”

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Another Wes Anderson film, so of course I recommend. This one is particularly heartwarming if you love dogs or pets of any kind.

Recommended? YES

CATS (2019)
“And the memories were lost long ago
But at least you have beautiful ghosts.”

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Okay, so this movie is objectively terrible, but I recommend it because it is an experience. Do not see it sober and you will have a great time. I was laughing by the first five seconds of this movie. There are no words for it.

Recommended? YES

10 CLOVERFIELD LANE (2016)
“I’m sorry, but no one is looking for you.”

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Movies that can manage to be engaging and interesting while being set in one place are always a triumph. This one manages to combine great acting and suspense to make a truly dreadful experience. The anxiety and paranoia that it engages you in is great, and the twists are truly twisty.

Recommended? YES

ALADDIN (2019)
“You ain’t never had a friend like me.”

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Any Disney remakes simply can’t avoid being compared to the original, and this one just doesn’t hold up. Will Smith does an okay job but he’s no Robin Williams, and the new songs they added in are so glaringly different from the original, and carry none of the weight and fun that those songs did. The spectacle that animation can provide also doesn’t carry over with the CGI.

Recommended? NO

MIKE BIRBIGLIA: THE NEW ONE (2019)
“I’ve lost a lot of great friends to kids.”

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Just a solid comedy standup.

Recommended? YES

INDEPENDENCE DAY: RESURGENCE (2016)

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Gonna be honest, didn’t even finish this one. Couldn’t. Even Jeff Goldblum couldn’t save this disjointed mess of a movie.

Recommended? NO

DOLEMITE IS MY NAME (2019)
“Luck is where opportunity meets preparation.”

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This is just a joy to watch. The cast is great, the music is great, the story is interesting. I love a tale of underdogs triumphing.

Recommended? YES

MARRIAGE STORY (2019)
“God is the father and God didn’t show up, so you have to be perfect.”

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No one needs a “my parents are fighting in the next room” simulator. A self-loathing, bleak slog of a movie that has no point, no redeeming characters. It just makes you sad with no lessons learned, just that people are awful a lot of the time. Don’t waste your time.

Recommended? NO

THE VELOCIPASTOR (2017)
“I don’t know much about God.”
“I don’t know much about dinosaurs.”

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The best movie I’ve seen all year. A truly self-aware comedy without being too on-the-nose. It knows what it’s going for and executes it perfectly. It’s hard to make a B movie on purpose, but they have absolutely succeeded.

Recommended? YES

WHERE THE WILD THINGS ARE (2009)
“Am I as bad as they say I am?”

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A movie that was really trying to have a message, I think, but I couldn’t find it. The monsters were disconcerting, the kid was annoying as hell, and once again, couldn’t find a point to any of it by the end.

Recommended? NO

EX MACHINA (2014)
“I used to think it was death and taxes you couldn’t avoid, but it’s actually death and shit.”

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I love sci-fi, I love robots, and once again some great twists in this one, and wonderful acting from such a small cast in a minimal setting.

Recommended? YES

SWISS ARMY MAN (2016)
“Maybe everyone’s a little bit ugly, and maybe we’re all just ugly dying sacks of shit, and maybe all it’ll take is one person to just be okay with that, and then the whole world will be dancing and singing and farting and everyone will feel a little bit less alone.”

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I think I can accurately describe this movie as one giant fart joke, and it’s amazing. It is the definition of morbidly hilarious. I laughed out loud by myself at certain spectacles. This movie is ridiculous and amazing.

Recommended? YES

ALWAYS BE MY MAYBE (2019)
“I want to be where you are. I don’t care where it is. I don’t care what outfit I have to wear. I don’t care if I have to eat a lot of tiny little things that I hate. I just want to be with you.”

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I am not usually a rom-com type of person, but this one was quite cute and touching and funny and just a smidge ridiculous.

Recommended? YES

WHAT DID JACK DO? (2017)
“It’s all like a crazy nightmare to me now.”

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A 20-minute David Lynch fever dream. David Lynch interrogates a monkey. That’s all I need to say.

Recommended? YES

EVENT HORIZON (1997)
“Where we’re going, we won’t need eyes to see.”

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An older Sam Neill movie that I’m surprised I hadn’t seen. Has that nice, truly terrifying 90s gore. Some cringeworthy CGI, but great practical effects as well. A great mix of sci-fi and occult horror mixed together to make something truly scary and interesting.

Recommended? YES

MOVIE OF THE MONTH:: THE VELOCIPASTOR

Sleeping With Sirens @ Skyway Theater

I recently was brought on to do music reviews for 1013musicreviews.com, which is really a step towards my dreams that I won’t go too into right now (as it’s still super early and it is so hard for me to let myself have nice things). This was my first show of the year, seeing Sleeping With Sirens and getting to shoot them.

Things could have been terrible, as I lost my ID and, per terrible movie rules, didn’t realize it until I was literally at the door. After many calls and my friends being amazing and and speeding around the Twin Cities in a quest to find it, it was found and I was finally able to get in. However, I missed the first two bands iin terms of photos, and my heart was so sunken in and my anxieties were running high. I felt like I was messing up my very first show here royally. But once I actually got in the pit and started shooting, I forgot all about it. Shooting shows is really my happy place. There is something indescribably wonderful about it, even if I am not terribly familiar with the band. The energy of shows is infectious no matter what. I can find myself at home at pretty much any show if the band has the energy and the crowd has the passion, and this one definitely did.

I’m really excited to do more of this. A big part of my focus photography-wise this year is going to be on this, so (hopefully) there will be many more of these types of posts on this little blog here. I think this is where I will leave it for now. I haven’t had coffee yet and so am a bit spacey, but wanted to post some stuff since I keep forgetting to. Such is the way of an absentminded blogger.

Small steps make big changes.

Six days into the beginning of a decade, one more small voice adds their singing to the void. I welcome it and wish it to be so, the darkness. “Into the Void” says the text on my screen, surrounded by images of space and swirling shadows. This year, this decade, I am turning inwards and outwards all at once. There is a need for space, a need for quiet, a need for an uncaring attitude. There is a need to make music, a need to make art, a need to write words without interference from the digital pressure. A need to just be.

I know it is cliche to have this, but there was a shift. When the clock struck midnight, and glasses were clinked and words were exclaimed, with smiles and laughter abounding, I felt it. I felt in me a shift, a change. Six days later, it’s still here. It has made my movements slower, more deliberate. It has calmed my thoughts even during the anxiety attacks. Already I have made art and music at its compulsion, and I have felt no shame, no guilt, no pressure, no need to explain myself or it to anyone or anything. I seek no validation, only creation, and oh do I hope this feeling lasts.

I made art as transition, taking the photos the few hours before midnight and editing and completing them the next day. The fact that my friends, the people I chose to surround myself with, were all on board with this one being’s need to make art on the last night of the decade, really rings true our wonderful relationship. I am forever floored by the people that support me in what I need to do sometimes.

So here are the first photos of the year: a soft holding of light, of magic, and underneath a power, but more than anything, a pure, untainted existence.

I know I am not perfect, and never will be, but that is not the aim. The aim is just to be, and unapologetically.

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turn my soul to stone

Turn my soul to stone
for it’s so heavy
that it pulls me down regardless

give me an excuse to rest
to greet the morning
with a stoic face
a silent grace
whether I want to or not

though these wings are made of stone
I’ll fly again
but in the dark
no one to see
it’s just for me. 

 

Makeup: Ariel Noureldaim
Model: Deanna
Assistance: Julia Takemura Sears